Even as the haircuts and music have receded into cultural history, its acid-look vision of the worst of England remains horribly sound. There are surprisingly lyrical stretches (the only songs sung all the way through are ‘Jerusalem’ and ‘My Love is Like a Red Red Rose’) and, though future pop stars Toyah Wilcox and Adam Ant are embarassingly amateurish as rebel street angels, some of the one‑note maniacal performances, especially Lex Luthor lookalike Orlando as mad media tycoon Borgia Ginz, are relishable.Īmong the people you've forgotten are in it are Ian Charleson of Chariots of Fire, celebrity shop assistant Jordan (as narrator Amyl Nitrate), Richard O'Brien and Little Nell of The Rocky Horror Picture Show, the Lindsay Kemp Dance Troupe and Adolf Hitler of World War II. The closest a British film could come to the John Waters of Pink Flamingoes, Derek Jarman’s Jubilee combines a safety‑pin and barbed wire vision of 1977 London in ruins (all burning prams and castrated policemen), a meditation on English mysticism guided by the immensely regal Jenny Runacre and a wild 'n' crazy account of the rampages of a gang of personality punk psychos.
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